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19th-century sentimental ballad by Stephen Foster

Song

"My Old Kentucky Dwelling house"
First draft of My Old Kentucky Home.jpg

Early draft of My Sometime Kentucky Home by Foster
Song
Written c. 1852-1853
Published Jan 1853
Genre Traditional / Folk
Songwriter(south) Stephen C. Foster
Composer(s) Stephen C. Foster
Lyricist(s) Stephen C. Foster

"My Sometime Kentucky Abode, Expert-Dark!" is a sentimental ballad written by Stephen Foster, probably equanimous in 1852.[one] [2] [iii] It was published in January 1853 by Firth, Swimming, & Co. of New York.[ane] [iv] Foster was likely inspired by Harriet Beecher Stowe'south anti-slavery novel Uncle Tom's Cabin, as evidenced by the championship of a sketch in Foster's sketchbook, "Poor Uncle Tom, Good-Night!"

Interpretations of the vocal vary widely. Frederick Douglass wrote in his 1855 autobiography My Chains and My Freedom that the vocal "awakens sympathies for the slave, in which antislavery principles take root, abound, and flourish".[5] [half dozen] However, the song'southward publication past Firth & Pond every bit a minstrel vocal and its utilise in "Tom shows" (stagings of Stowe's novel of varying degrees of sincerity and faithfulness to the original text), and other settings, have clouded its reception.[2] [iii]

Creation and career impact [edit]

The creation of the vocal "My One-time Kentucky Abode, Good-Night!" established a decisive moment within Stephen Foster's career in regard to his personal behavior on the institution of slavery as following the publishing of the song, Foster began to carelessness minstrelsy and writing music with African-American vernacular.[7] It also is an example of the mutual theme of the loss of home, which is prevalent throughout Foster'south work. Foster was profoundly inspired by Harriet Beecher Stowe'due south abolitionist novel Uncle Tom's Motel, which appeared in bookstores in Foster's hometown of Pittsburgh, Pennsylvania in March 1852. The novel, written nearly the plight of an enslaved person in Kentucky, had a profound consequence on Foster's future songwriting past altering the tone of his music to empathise the position of the enslaved person. In his notebook, Foster penned the lyrics inspired by Stowe'southward novel, initially named "Poor Sometime Uncle Tom, Good-Dark!" Foster ultimately removed references to Stowe's book, renaming the piece of work, "My Erstwhile Kentucky Home, Good-Night!"

Foster's brother Morrison indicated in correspondence in 1898 that Foster was an "occasional visitor" to the plantation of their cousins the Rowan Family known as, Federal Colina. No evidence exists to confirm that Foster was inspired by imagery seen at Federal Hill for the song'south composition, and the imagery in the vocal does not include whatsoever specific markers to Federal Colina. The Foster and Rowan family'southward close relationship appears to have been initiated through Stephen'south sister Charlotte, who stayed with the Rowans at Federal Hill in 1828. While Charlotte lived with the Rowan family, Atkinson Hill Rowan made a proposal of union to her, which she ultimately declined.[8] Charlotte died in the home of George Washing Barclay, a cousin of both families, with Atkinson Hill Rowan at her bedside.[9]

The song "My Old Kentucky Home, Skilful-Night!" is ane of many examples of the loss of home in Foster's work. Biographers believe that this common theme originated from the loss of Foster's childhood home, known every bit the "White Cottage", an estate his female parent referred to as an Eden, in reference to the Garden of Eden. The family was financially supported by the family unit patriarch William Foster, who endemic vast holdings, which were lost through bad business organisation dealings that left the family destitute and unable to keep possession of the White Cottage; the family was forced to leave the estate when Stephen Foster was three years old. Afterward years of financial instability and the sharing of memories of the White Cottage with Stephen past his parents and siblings, the affect of longing for a permanent home that was no longer bachelor to him profoundly influenced his writing.[7]

Public sentiment [edit]

Frederick Douglass in 1856

Upon its release in 1853 by Firth, Pond & Company,[10] "My Former Kentucky Home, Good-Dark" grew speedily in popularity, selling thousands of copies. The song'south pop and nostalgic theme of the loss of home resonated with the public and received support from some within the abolitionist move in the United States. For case, African-American abolitionist Frederick Douglass promoted the song, amidst other similar songs of the time menstruum, in his autobiography My Bondage and My Freedom as evoking a sentimental theme that promotes and popularizes the cause of abolishing slavery in the United States. Douglass commented, "They [My Old Kentucky Home, Proficient-Night!, etc.] are heart songs, and the finest feelings of human nature are expressed in them. [They] can make the middle sad as well as merry, and tin can phone call forth a tear too as a smile. They awaken the sympathies for the slave", he stated, "in which anti-slavery principles have root and flourish".[eleven]

Foster sold the work to the music publishing company Firth & Pond that published and branded the work every bit a "plantation tune" among the catalog of Christy's Minstrels. As a outcome, the vocal was pop on the blackface minstrel phase and in melodrama through the nineteenth century. Frequently, the song was included in "Tom shows," stagings of Uncle Tom's Cabin. The vocal remained popular in amateur blackface minstrel shows through at least the get-go half of the twentieth century. While some of the shows in which "My Old Kentucky Habitation" depicted slavery as wrong and the enslaved people sympathetically, examples exist in which some of these shows hewed to the mutual demeaning traditions and tropes of blackface minstrelsy.[12]

The vocal held popularity for over a decade and throughout the American Civil State of war. The vocal's attain throughout the United States and popularity has been attributed to soldiers of the war, who passed the tune from location to location during the state of war's tenure. The song remained popular through the nineteenth century. The typical reduction of the song'south title from "My One-time Kentucky Dwelling house, Adept-Night!" to "My Old Kentucky Domicile" occurred subsequently the plow of the century.[thirteen]

The song's commencement poetry and chorus are recited annually at the Kentucky Derby. Colonel Matt Winn introduced the song as a Derby tradition.[14] As early as 1930, Foster'southward song was played to back-trail the post parade; the Academy of Louisville Marching Ring has played the vocal for all merely a few years since 1936. In 1982, Churchill Downs honored Foster by establishing the Stephen Foster Handicap.[xv] The University of Kentucky, University of Louisville, Murray Land Academy, Eastern Kentucky University, and Western Kentucky University bands play the song at their schools' football and basketball game games.[sixteen]

Kentucky state song [edit]

WHEREAS, the song, "My Sometime Kentucky Dwelling house," by Stephen Collins Foster, has immortalized Kentucky throughout the civilized world, and is known and sung in every Land and Nation; ...

—Preamble to a 1928 Act of the Kentucky legislature[17]

During the starting time decades of the twentieth century, the vocal became increasingly popular nationwide and the state legislature of the Republic of Kentucky sought to utilize the song's popularity by establishing it as Kentucky'south state song.[eighteen]

In 1986, a Japanese youth group visiting the Kentucky General Assembly sang the vocal, using the original lyrics that included the word "darkies." Legislator Carl Hines afterward introduced a resolution that would substitute the word "people" in identify of "darkies" whenever the song was used by the Firm of Representatives. Country Senator Georgia Davis Powers introduced a similar resolution in the Kentucky State Senate. Both chambers adopted the resolution.[19]

Mod impact [edit]

Today, the song "My Old Kentucky Domicile" remains an of import composition due to its office in the evolution of American songwriting and is an influential vocal in American culture. According to popular-song analysts, the entreatment of the theme of 'returning home' is one in which listeners of "My Erstwhile Kentucky Home" are able to personally relate within their ain lives.[ citation needed ] Many revisions and updates of the vocal have occurred throughout the past century, which have further ingrained the song in American culture. These revisions and a constantly adapting cultural mural also complicate the song's legacy and meanings for different people.[vii]

Recording history [edit]

"My Old Kentucky Abode" was recorded many times during the early era of cylinder recordings. The Cylinder Audio Annal at the University of California (Santa Barbara) Library contains 19 commercial recordings of the song (in addition to several home recordings).[20] In well-nigh cases, even those of the commercial recordings, the Archive is unable to determine the precise dates (or even years) of either their recording or their release, with some cylinders beingness dated simply to a forty-twelvemonth range from the 1890s to the 1920s. The primeval recording of "My Old Kentucky Home" for which the Archive was able to determine a precise year of release is from 1898 and features an unidentified cornet duo.[21] Notwithstanding, the song is known to accept been recorded before than that (in February 1894) past the Standard Quartette, a song group that was appearing in a musical that featured the song (making their recording perhaps the earliest example of a bandage recording). No copy of that cylinder is known to have survived.[22] And although cylinder recordings were more pop during the 1800s than disc records, some of the latter were existence sold, mostly by Berliner Gramophone. A version sung by A.C. Weaver was recorded in September 1894 and released with itemize number 175.[23]

The popularity of "My Old Kentucky Home" as recording material continued into the 20th century, despite the fact that the song was and so more than fifty years former. In the first two decades of the century, newly established Victor Records released thirteen versions of the song (plus v more than recordings that included it as part of a medley).[24] During that same menstruation, Columbia Records issued a like number, including i by Margaret Wilson (daughter of U.Due south. president Woodrow Wilson).[25] One of the major song groups of the day, the Peerless Quartet, recorded it twice,[26] as did internationally known operatic soprano Alma Gluck.[27] It was also recorded by various marching and concert bands, including three recordings by one of the most well-known, Sousa'south Band,[28] as well as iii by the house concert band at Edison Records.[29]

Although the frequency of its recording dropped off as the century progressed, "My Erstwhile Kentucky Home" continued to be used as material by some of the major pop singers of the day. Versions were recorded past Kate Smith,[30] Bing Crosby,[31] and Al Jolson.[32] A version past operatic contralto Marian Anderson was released in Nihon[33] and Paul Robeson recorded his version for an English visitor while living in London in the late 1920s.[34] The song continued to discover expression in non-traditional forms, including a New Orleans jazz version by Louis Armstrong[35] and a swing version by Cistron Krupa.[36] For a list of some other recorded versions of the song, see External links.

In 2001, the National Endowment for the Arts and the Recording Manufacture Clan of America promoted a listing of the 365 "Songs of the Century" that best displayed "historical significance of not only the vocal merely also of the record and creative person".[37] "My Old Kentucky Home" appeared on that list (the merely vocal written by Foster to do so), represented past the 1908 recording of operatic soprano Geraldine Farrar (Victor Records 88238).

Adaptations [edit]

Past the time commercial music began to exist recorded, the verse melody of "My Quondam Kentucky Domicile" had become so widely known that recording artists sometimes quoted it in cloth that was otherwise unrelated to Foster'southward vocal. The 1918 song "Rock-a-Bye Your Baby with a Dixie Tune", recorded and popularized past Al Jolson, quotes the chorus phrase "weep no more my lady", and besides makes reference to 2 other Foster songs. Henry Burr'south 1921 recording of "Kentucky Abode" quotes the verse melody in an interlude midway through the record.[38] And vaudeville singer Baton Murray's 1923 recording of "Happy and Get-Lucky in My Old Kentucky Dwelling house" adds the tune in the record's finale.[39] An earlier recording by Murray, 1915's "Nosotros'll Have a Jubilee in My Former Kentucky Habitation", takes the farther step of incorporating a portion of Foster's melody (but not his lyrics) into each chorus.[40] And a few decades earlier than that, a immature Charles Ives, while withal a pupil at Yale Academy in the 1890s, used Foster'south tune (both the verse and the chorus) as a strain in one of his marches. Ives oftentimes quoted from Foster and musicologist Clayton Henderson has detected material from "My Old Kentucky Dwelling house" in 8 of his works.[41]

In the mid-1960s, songwriter Randy Newman used the verse of "My Onetime Kentucky Domicile" (with modified lyrics) every bit the chorus to his "Turpentine and Dandelion Wine". Newman recorded this adaptation for his 12 Songs anthology (1970, Reprise RS 6373) nether the title "Old Kentucky Home". Nevertheless, the adaptation had been recorded earlier at least twice. The outset was by the Beau Brummels, who recorded it for their Triangle anthology (1967, Warner Brothers WS 1692). The second was past the Alan Toll Fix, who included it as the B-side to their "Honey Story" single (1968, Decca F 12808). Since Newman's recording, the accommodation was covered several times more than. The only version that charted was by Johnny Greenbacks, who released it every bit a single from his John R. Cash album (1975, Columbia KC 33370). The single reached No. 42 on Billboard's land-music chart.[42] Notation that the various encompass versions generally use slightly dissimilar titles, some calculation "My" to Newman's championship, others omitting "Old". Also, some use Newman'southward original title of "Turpentine and Dandelion Vino" as a subtitle. A more complete listing of these encompass versions can be found in External links. In 2021, Tyler Childers released the song "Long Violent History" on his anthology of the aforementioned proper name. The introduction of the song contains the chorus tune of My One-time Kentucky Habitation, and the vocal's coda contains the coda tune of My Quondam Kentucky Home.

Appearance in media [edit]

"My Old Kentucky Abode" has appeared in many films, alive action and blithe, and in television receiver episodes, in the 20th and 21st centuries.

The original title for the first draft of Margaret Mitchell'due south 1936 novel Gone with the Current of air was "Tote The Weary Load", a lyric from "My Quondam Kentucky Home, Good-Night!"[43] Scarlett O'Hara and Rhett Butler sing the song in Affiliate 17, and the lyric "a few more days for to tote the weary load" appears in the text of the novel as Scarlett is returning to Tara.[44] In 1939, "My Old Kentucky Home" was featured in the film version of Gone With The Current of air both instrumentally and with lyrics. In the movie, Prissy, played by Butterfly McQueen, sings the line, "a few more than days for to tote the weary load".[45] [46]

Fleischer Studios adapted the song in their 1926 drawing brusque [[[Bimbo (Fleischer Studios)#History|My Erstwhile Kentucky Home]], noteworthy for containing the first always fully animated dialogue.

Judy Garland sang "My Old Kentucky Home, Good-Night!" live on December 14, 1938, on the radio prove, America Calling. She later covered it once again on The All Time Flop Parade with Bing Crosby and The Andrews Sisters. On April 29, 1953, Garland headlined a Kentucky Derby week appearance in Lexington, Kentucky, named "The Bluegrass Festival" where she sang the vocal "My Old Kentucky Home", accompanied by a single violin.[47]

In 1940, Bing Crosby sang "My Erstwhile Kentucky Home, Good-Night!" via radio broadcast with Leopold Stokowski conducting a symphony for the dedication of the Stephen Foster stamp release held in Bardstown, Kentucky, at My Old Kentucky Habitation.[48]

Bugs Bunny sang the opening bars to this song in the original version of the 1953 Warner Brothers drawing Southern Fried Rabbit. In the unedited version, Bugs is playing the banjo bearded in blackface to fool Yosemite Sam. Afterwards releases omit this part due to negative racial stereotypes.

Kate Smith performed the song on March 20, 1969, on The Dean Martin Testify with Mickey Rooney and Barbara Eden.[49] [fifty]

In 2009 the song was covered in Mad Men, Season 3, Episode 3, "My Old Kentucky Domicile." Roger Sterling (played by John Slattery) performs the vocal in blackface for a company Kentucky Derby political party.[51]

In 2010 the song was covered in The Simpsons, Season 21, Episode thirteen, "The Colour Yellow". Marge and Lisa read from the footnotes of a cookbook written by Mabel Simpson in which she describes the escape of a slave, Virgil, who is assisted by Eliza Simpson. Virgil and Eliza find safe harbor in a circus operated past Krusty the Clown, who hides them from slave patrollers by disguising them equally circus acts. Krusty asks what talents Virgil possesses, to which he replies that he has music talent and then performs the song, "My Sometime Kentucky Home" while playing violin.[52] The song also appears in the episode "Rosebud", where a young George Burns sings the vocal'south first line.[53]

Johnny Depp, Lyle Lovett, David Amram and Warren Zevon covered the song "My Old Kentucky Home" at the tribute memorial of journalist Hunter Thompson in December 1996. Ane of Thompson's most notable pieces, "The Kentucky Derby Is Decadent and Depraved", in addition to Thompson existence a native of Louisville, Kentucky, inspired the performers to cover the song for his tribute. The performance was recreated 9 years later in 2005 at midnight later Thompson'due south ashes were blasted from a cannon.[54]

Don Henley stated in 2015 for the Los Angeles Times that some of the music he wrote for the band, the Eagles was inspired past the music of Stephen Foster, and states that as a child, his grandmother singing song such as My Old Kentucky Dwelling. ""My grandmother lived with u.s.a.. She sat in a rocking chair every mean solar day, singing hymns and Stephen Foster songs: 'My One-time Kentucky Home,' 'Style Down Upon the Suwanee River' and 'The Sometime Folks At Abode,' and all those very American things. That's probably where I got 'Desperado.' If you listen to that melody and those chords ... Billy Joel said to me the minute he heard information technology, 'That's Stephen Foster! I said, 'OK, fine!'" [55]

Lyrics by Stephen C. Foster [edit]

The original Stephen Foster lyrics of the song are:[56] [57]

References [edit]

  1. ^ a b Richard Jackson (1974). Stephen Foster vocal book: original canvas music of 40 songs. Courier Dover Press. p. 177.
  2. ^ a b "My old Kentucky home, good night | Digital Pitt". digital.library.pitt.edu . Retrieved June 7, 2021.
  3. ^ a b Austin, William (1975, 1987 (2e)). Susannah Jeanie and the Old Folks at Home: Stephen Foster from his Time to Ours. Champaign: University of Illinois Press.
  4. ^ "My Old Kentucky Home, Proficient Dark!". 2008. Retrieved October 1, 2016.
  5. ^ PressRoom (April 9, 2001). "American Feel on KET profiles "My Old Kentucky Home" author, Stephen Foster". KET. Archived from the original on May 27, 2012. Retrieved July 11, 2011.
  6. ^ Douglass, Frederick. My Bondage and My Freedom: Office I- Life equally a Slave, Role Ii- Life as a Freeman, with an introduction by James Thousand'Cune Smith. New York and Auburn: Miller, Orton & Mulligan (1855); ed. John Stauffer, Random Business firm (2003) ISBN 0-8129-7031-four.
  7. ^ a b c MacLowry, Randall. "American Experience, Stephen Foster". PBS.org. Public Broadcasting System. Archived from the original on November 26, 2015. Retrieved December 23, 2015.
  8. ^ Foster, Charlotte. "University of Pittsburgh Digital Archives" (PDF). University of Pittsburgh Digital Archives. University of Pittsburgh. Retrieved February 23, 2017.
  9. ^ Rowan, Atkinson Hill. "From A. Loma Rowan to Ann Eliza Foster, November 19, 1829" (PDF). Academy of Pittsburgh Digital Athenaeum. University of Pittsburgh. Retrieved February 23, 2017.
  10. ^ William Emmett Studwell (1997). The Americana song reader. Psychology Press. p. 110.
  11. ^ Douglass, Frederick (1855). My Bondage, My Freedom. Miller, Orton & Mulligan. p. 462. Retrieved Jan 25, 2016.
  12. ^ Thomas F. Gossett (1985). Uncle Tom's Cabin and American Civilisation. Dallas, Texas: Southern Methodist University Press. pp. 260–283.
  13. ^ Clark, Thomas D. (February 5, 2015) [1977]. "The Slavery Background of Foster'southward My Old Kentucky Home". In Harrison, Lowell H.; Dawson, Nelson L. (eds.). A Kentucky Sampler: Essays from The Filson Club History Quarterly 1926–1976. Lexington, Kentucky: University Press of Kentucky. pp. 100–117. ISBN9780813163086 . Retrieved January 25, 2016.
  14. ^ Nicholson, James (March 15, 2012). The Kentucky Derby, How the Run for the Roses Became America'southward Premiere Sporting Event. Lexington, KY: The University of Kentucky Press. ISBN978-0-8131-3576-2.
  15. ^ "My Onetime Kentucky Domicile: Official Vocal of the Kentucky Derby". Retrieved October ane, 2016.
  16. ^ Kaiser, Carly (May 4, 2011). "My Old Kentucky Home". University Identify Patch. Retrieved October 1, 2016.
  17. ^ Shankle, George Earlie (1941) [1934]. State Names, Flags, Seals, Songs, Birds, Flowers, and Other Symbols (revised ed.). New York: H.Due west. Wilson. pp. 397–398.
  18. ^ Preamble to a 1928 Act of the Kentucky legislatureShankle, George Earlie (1941) [1934]. State Names, Flags, Seals, Songs, Birds, Flowers, and Other Symbols (revised ed.). New York: H.W. Wilson. pp. 397–398.
  19. ^ "Interview with Carl R. Hines, Sr". Louie B. Nunn Center for Oral History. University of Kentucky Libraries: Lexington. Retrieved June 18, 2016. Discussion of the episode begins approximately 82 minutes into the interview. Also see the contemporaneous reporting that appeared in the article written by Bob Johnson in the edition of March 12, 1986 of the Courier-Periodical (page 18) and the Associated Press article that appeared in the edition of March 21, 1986 of the Lexington Herald-Leader (page A11). Hines' resolution was Business firm Resolution 159 (1986); Powers' resolution was Senate Resolution 114 (1986).
  20. ^ "Search Results: my+old+kentucky+habitation". UCSB Cylinder Audio Archive. UC Santa Barbara Library. November 16, 2005. Retrieved June ii, 2016.
  21. ^ Columbia Phonograph Company 2813 (cylinder 14763 at the Cylinder Sound Annal).
  22. ^ Brooks, Tim (2004). Lost Sounds: Blacks and the Birth of the Recording Manufacture, 1890-1919. Urbana: Academy of Illinois Press. ISBN0-252-02850-three. The Standard Quartette is discussed in Chapter six (pages 92-102). The February 1894 recordings are discussed at pages 95-97.
  23. ^ "Berliner 175 (7-in. single-faced)". Discography of American Historical Recordings. UC Santa Barbara Library. Retrieved June 2, 2016. Note that Berliner issued "My Old Kentucky Home" several times through 1899, with different singers. These re-recordings were released under the same catalog number as the original only with differently-suffixed matrix numbers. For example, the version sung past Weaver has matrix number 175-Z, whereas a later version by Irish tenor George J. Gaskin (recorded in 1897) has matrix number 175-ZZ.
  24. ^ "Search Results: my+old+kentucky+domicile". National Jukebox. Library of Congress. Retrieved June 3, 2016.
  25. ^ Columbia Records ("Symphony Series") A-2416 (1917)
  26. ^ Indestructible Records 694 (1908) and Everlasting Records 1077 (1909)
  27. ^ Victor Records 74386 (1914) and 74468 (1916).
  28. ^ Berliner 129 (1898), Victor 3264 (1901) and Victor 2481 (1903). The ii Victor recordings were labeled "fantasies".
  29. ^ Edison Gilded Moulded 8818 (1904), Edison Amberol 87 (1909), and Edison Blue Amberol 2239 (1914), all credited to the Edison Concert Band.
  30. ^ MGM Records 30474, part of Smith's Songs of Stephen Foster album (MGM E-106)
  31. ^ Crosby's recording appeared as the B-side on two of his singles—"'Til Reveille" (Decca Records 3886, 1941) and "De Camptown Races" (Decca Records 25129, 1947). Information technology also appeared in his Stephen Foster album (Decca Records A-440 and A-482, both 1946).
  32. ^ Decca Records 27365 (circa 1950)
  33. ^ Victor Co. of Japan SD-iv. This is the aforementioned recording that was released past Victor Records in the United States with catalog number 18314. The recording and release dates are unclear, but the concrete characteristics of the label for the Japanese release (ruby label, circular non-scroll edge, etc.), too as the numbering of the American release, advise that both were issued in the very early on 1940s (and certainly before the outbreak of war between Japan and the United states of america). The recording later appeared on the 1951 LP Great Combinations (RCA Victor LM 1703).
  34. ^ His Master's Voice B.3653. The recording'due south entry at the British Library gives the recording engagement every bit October 2, 1928 (see detail number BLLSA4329674 at world wide web.explore.bl.u.k.).
  35. ^ On the album Satchmo Plays Male monarch Oliver (Audio Fidelity Records AFSD 5930, 1960)
  36. ^ Columbia Records 35205 (1939)
  37. ^ "RIAA, NEA Announce Songs of the Century" (Press release). Recording Industry Association of America (RIAA). March 2001. Archived from the original on March 24, 2012. Retrieved March three, 2013.
  38. ^ Victor Records 18821. Written by Harold Weeks and Abe Brashen.
  39. ^ Victor Records 19240. Written by Clarence Gaskill. Another version of "Happy and Go-Lucky ..." was recorded a few months later past The Happiness Boys, who extended Murray's arrangement by quoting "My Old Kentucky Home" equally a countermelody not just in the finale, simply also in other parts of the song. That version was issued on Federal Records 5376 (the visitor not to exist dislocated with the Cincinnati-based Federal Records that operated in the 1950s). Information technology was also issued on Sears, Roebuck'due south Silvertone label, with catalog number 2376.
  40. ^ Edison Bluish Amberol Records 2748. Written by Walter Donaldson.
  41. ^ Henderson, Clayton Westward. (2008) [1990]. The Charles Ives Tunebook (second ed.). Bloomington: Indiana University Press. pp. 158–159. ISBN978-0-253-35090-9. The march is identified equally Ives' third (i.due east., "March No.3"). Information technology plain had not been recorded until 1974, when information technology appeared on the Yale Theater Orchestra's Quondam Songs Deranged (Columbia Masterworks Thou 32969). Because Ives added the Foster quote to a work he had already equanimous, at that place are 2 versions of that march—i that incorporates the melody and one that does not. The version that incorporates the melody also appears on the Detroit Chamber Winds' 1993 anthology Remembrance: A Charles Ives Drove (Koch International Classics 7182).
  42. ^ "John R. Greenbacks (awards)". AllMusic.com . Retrieved May eight, 2016.
  43. ^ Horwitz, Tony (1999). Confederates in the Attic. Random House. p. 306. ISBN9780679758334 . Retrieved June 23, 2016.
  44. ^ Mitchell, Margaret. Gone with the Wind. 1936. Edition: Hamilton Books, 2016. GoogleBooks pt.258.
  45. ^ Edge, Lynn (Oct viii, 1989). "'GWTW' outset toted the load during filming". No. threescore. Star-News. Retrieved May nine, 2016.
  46. ^ Haines, Kathryn Miller. "Stephen Foster's Music in Move Pictures and Television," American Music thirty/3 (2012): 373-388.
  47. ^ Schechter, Scott (2006). Judy Garland: The Twenty-four hour period-by-Day Chronicle of a Legend. Taylor Merchandise Publishing. p. 448. ISBN978-ane-4616-3555-0.
  48. ^ Hibbs, Dixie (198). Bardstown. Bardstown, Kentucky: Arcadia. p. 78. ISBN9780738589916 . Retrieved June 23, 2016.
  49. ^ Eden, Barbara (April five, 2011). Jeanie Out of the Canteen. Random House. ISBN9780307886958 . Retrieved May 9, 2016.
  50. ^ "Bundle Up With Dean". The Golddiggers. The Golddiggers. November 18, 2012. Retrieved May 9, 2016.
  51. ^ burgermeister meisterburger (September xx, 2013), Mad Men: Kentucky Derby, Roger Sterling sings in blackface, Peggy Olson gets loftier, archived from the original on December 13, 2021, retrieved June ten, 2018
  52. ^ Jake. "The Color Yellow/Transcript". Wikisimpsons . Retrieved September 17, 2017.
  53. ^ "Simpsons scripts: Rosebd (1F01) — Simpsons Crazy". Simpson Crazy . Retrieved September sixteen, 2020. (sings) Bwa bwa bwa bwa, Oh the sunday shines bright on my sometime Kentucky Domicile, Bwa bwa bwa bwa... (spoken) Trust me, information technology'll be funny when I'm an old man.
  54. ^ "Amram with Johnny Depp, Warren Zevon: Hunter Southward. Thompson Tribute". Youtube. Archived from the original on December 13, 2021. Retrieved April sixteen, 2016.
  55. ^ Lewis, Randy (September 25, 2015). "Like the Eagles' 'Desperado'? Don Henley says thank Stephen Foster". Los Angeles Times . Retrieved August 2, 2021.
  56. ^ Aldrich, Mark. A Catalog of Folk Song Settings for Wind Ring, p. 74 (Hal Leonard Corporation, 2004).
  57. ^ Foster, Stephen. Stephen Foster Song Book: Original Sheet Music of xl Songs, p. 67 (Courier Corporation, 1974).

Farther reading [edit]

  • Clark, Thomas D. (January 1936). "The Slavery Background of Foster's My Old Kentucky Habitation". Filson Guild History Quarterly. x (1). ISBN9780813163086 . Retrieved November 29, 2011.

External links [edit]

Performances
  • My Old Kentucky Dwelling (instrumental) equally played past i of the University of Kentucky Bands
  • Geraldine Farrar's 1908 recording
Other
  • Listing of recordings of "My One-time Kentucky Habitation" at SecondHandSongs.com
  • List of recordings of Randy Newman's adaptation at SecondHandSongs.com

taylorfloracer.blogspot.com

Source: https://en.wikipedia.org/wiki/My_Old_Kentucky_Home

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